As a filmmaker, the junction between still imagery and motion pictures fascinates me. Traditionally, the still is seen as a “moment in time” and the moving image is really born of multiple stills creating the illusion of motion when projected rapidly. Still photography and motion pictures are related but separate art forms.
Capturing motion within a still quite literally blurs the line between the static image and the moving picture to record a passing moment, to track a gesture, to trace a caress, all evoked by the subject.
To achieve this takes contemplation and time for play – time and play enough for the movement or gesture to mesh with the qualities of composition and light, so as to coalesce in an image that intentionally
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